Rooftop Sunset from South Kihei

Sunset, Kihei, Maui, Hawaii.When my friends Kim and Craig invited me to their house for the Premiere Party celebrating Season Two of Self Made in Hawaii, in which our Social Media Users Group was featured, I couldn’t resist asking if I could come early to shoot the sunset from their roof. When they built the second story addition to their home, they included a spiral starway leading to their rooftop so they could enjoy their South Maui vistas from a higher elevation.

As always, I was hoping for a lightshow in the clouds, but there was too much moisture (as usual) and it didn’t happen. However, the softbox effect on the horizon did allow me to get great shots of the fireball that powers our world from 93 million miles away, and follow it down to the slopes of Lana‘i on the horizon.

After living on Maui for a few years, you do tend to take these sunsets for granted, but I try not to. There aren’t many places in the world that offer views like this.

Sunset, Kihei, Maui, Hawaii.

Sunset, Kihei, Maui, Hawaii.

Sunset, Kihei, Maui, Hawaii.

No matter what I tried with the earlier shots, I couldn’t get rid of the lens flares, so I decided to do some artistic renderings of the scene in HDR. This one consisted of six frames processed in Photomatix Pro 4.0, and finished in Lighroom 3.4.

Sunset, Kihei, Maui, Hawaii. HDR, 6 frames. Photomatix 4.0, finished in Lighroom 3.4.

A Simple Guide To Shooting in HDR

I happen to be doing some HDR work today, so I thought I’d put this post together while I’m working. My wife is a REALTOR® on Maui and I shot one of her listings in Kihei. Real estate photography is tricky. You usually have to choose between getting a good, well-lit shot of the interior or one of the scene outside through the windows. The former yields blown out windows, and the latter yields a shot of the interior in darkness.

It used to be that the only way to get both the interior and exterior in the same shot would be to meter for the outside and use elaborate lighting equipment to fill in the details inside. Now we have HDR. HDR stands for High Dynamic Range, and is a technique that allows you to capture the full range of light intensities within a scene, from bright to dark.

When we look at the scene, everything looks well exposed to us. This is because the human eye is capable of seeing about 20 f-stops of light, so we can perceive fine details in light and shadow very clearly. A DSLR is only capable of roughly half the number of f-stops, so in photography, we have to choose between capturing the highlights or the shadows. If you choose one, you sacrifice the other.

If done well, you can produce some nice effects, depending on whether you’re looking for silhouettes or a blown out look. But if you want to capture a balance of both, you have a challenge on your hands. There are techniques you can use to compensate somewhat. Shooting in the early mornings or late evenings when the light is soft is one. Or you can use an ND Grad if it’s appropriate for the scene. Or there’s always the old splice-pieces-of-differently-exposed-images-together-in-Photoshop trick.

Or there’s HDR. Essentially, you take several images, one with the scene metered properly, then a few overexposed and a few under, and let the HDR software blend the images together to give you a good composite of the darks and the lights. Photoshop has included HDR capability for a while now, and I’ve heard it’s improved greatly as of CS5, but for my money, Photomatix Pro from HDRsoft is still the best.

562 Papau Street, Kihei, Maui, Hawaii, Kathy Becklin R(S), http://kathybecklin.com

The example I have here is pretty extreme. Normally, I would take three or four shots—one metered correctly, then one or two above and below. In this case, I not only wanted to capture a good range between light and shadow, I wanted a very wide range, in case I felt like playing with artistic effects later.

For this scene, I took a total of 11 shots, varying one stop each. I basically kept stopping down until I didn’t see anymore “blinkies” in the LCD display.

Highlights exposed correctly, everything else in darkness.

Highlights exposed correctly, everything else in darkness.

Photomatix is great at aligning images by correcting for shifts or matching features, but I used a tripod for certainty.

 

As you can see, the shot with the front entrance exposed properly has blown highlights all over the place—the sky, reflections on the glass, etc. And in the shot where the glass, sky and trees are exposed properly, you can’t really see anything else in the image.

Photomatix Pro optionsPer my usual workflow, I start in Lightroom, select the shots and export them to Photomatix using their Photomatix export plugin. After I select the options, Photomatix does its thing and produces the blended image.

Blended image in Photomatix in need of tone mapping.

Blended image in Photomatix in need of tone mapping.

The resulting image actually looks pretty bland. Remember, all the shadows are exposed correctly, as are all of the highlights, so you don’t have any contrast, which is a vital component in a good photo. So, the next step is to do some tone mapping—essentially setting the values of light and dark so that you get a compelling image.

This can be done completely in Photomatix, but what I like to do is take it part way, then re-import it into Lightroom to finish it. I like to do this because I have better tonal and color control in Lightroom, and its noise and sharpening controls are also much better, in my opinion.

Realistic rendering of an HDR image.

Realistic rendering of an HDR image.

That’s pretty much all there is to it. I’m oversimplifying the process a bit, but this is the general idea. If you play with the various options, you’ll end up with a realistic rendering or an artistic one, whichever suits your purpose. Try it for yourself. Share a link to your work below so we can all enjoy it.

Artistic rendering of the same HDR image.

Artistic rendering of the same HDR image.

Aloha Chevy

I’m not really a car guy (just didn’t inherit the gene), but I go by this really cool old Chevy in my neighborhood during my morning run, and finally got around to grabbing a camera so I could capture it. Love that “Aloha” license plate. One of these days I should knock on the door and meet the folks who own it.

Aloha Chevy

HDR, 6 exposures, 2 stops each, tone mapped in Photomatix 3.0, finished in Lightroom 2.5.

Aloha Chevy

HDR, 5 exposures, 2 stops each, tone mapped in Photomatix 3.0, finished in Lightroom 2.5.

Makena, Maui in HDR

I don’t often shoot in the middle of the day because the light is usually too harsh. If I meter for the highlights, the shadows go black, and if I meter for the shadows, the highlights blow out. I looked out the window yesterday though, and saw some nice colors down toward Makena, along with some great cloud cover mixed with the blue skies, and decided it might be a good day to do some HDR work.

HDR stands for High Dynamic Range, which is a process that involves taking several shots with different settings, exposing for everything from the highlights to the shadows, and using software to blend them all together. Adobe Photoshop has a Merge to HDR feature under File > Automate, but I prefer using Photomatix, as it gives me better control over the tone mapping of the final image.

I used a polarizer for the water and a 3-stop soft ND grad to accentuate the sky even further. I’ll go into more detail about how I actually produced the images in another post. For now, enjoy them and tell me what you think.

Makena

Makena, Maui, Hawai'i. HDR, 5 exposures, 2 stops each; tone mapped in Photomatix 3.0, finished in Lightroom 2.5.

Makena

Makena, Maui, Hawai'i. HDR, 4 exposures, 2 stops each; tone mapped in Photomatix 3.0, finished in Lightroom 2.5.

La Perouse Bay

Makena, Maui, Hawai'i. HDR, 5 exposures, 2 stops each; tone mapped in Photomatix 3.0, finished in Lightroom 2.5.

Makena

Makena, Maui, Hawai'i. HDR, 6 exposures, 2 stops each; tone mapped in Photomatix 3.0, finished in Lightroom 2.5.

Yet Another Kihei Sunset

Kihei Sunset

From December… just getting around to it now. HDR in Photomatix, 6 exposures, finished in Lightroom 2.3. I’ve really been getting into HDR lately.

Aloha…

Old Water Tank

This is an old water tank on Waipoli Road in Kula that I’ve been wanting to get a shot of forever. I passed it on the way to and from shooting assignments at Ali’i Kula Lavender, but never actually stopped to shoot it until yesterday. What took me so long??

HDR in Photomatix, 5 exposures at 2 stops each, then into Photoshop to finish with blend modes, lab color, curves and masks.

Aloha…

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