Iao Valley Photo Walk HDR

I recently started Maui Photo Walks with my friend Erik Blair, and we did our first walk in the Iao Valley last week. We started early to get the morning light. Rains rolled through the valley several times during the walk, making us scramble for shelter and creating dramatic textures in the clouds. I started the walk with my ND grads, but switched to HDR to capture those beautiful textures.

All the photos here started in Lightroom, were tone mapped in Photomatix Pro, then came back into Lightroom for the finishing touches. I like using Lightroom to finish the photo as it gives me much more control over sculpting light and shadow in the final image.

Maui Photo Walk, Iao Valley National Monument.

Maui Photo Walk, Iao Valley National Monument.

Maui Photo Walk, Iao Valley National Monument.

Lahaina Paradise

Lahaina Oceanfront Estate, Maui, Hawaii. HDR, 13 exposures, artistically rendered.

Lahaina Oceanfront Estate, Maui, Hawaii. HDR, 13 exposures, artistically rendered.

From yesterday, at a gathering of good friends and new acquaintances at the Lahaina Oceanfront Estate for the 1st Annual Backyard Food Challenge. Good times!

HDR Study – Ali‘i Kula Lavender

I’ve developed a new habit. I’ve started shooting for HDR just for the heck of it whenever I can, even when I’m after conventional photographs. I mean, why not? It’s just pixels. I am now collecting work for a new HDR portfolio. Here are some from the weekend. I was at the Sustainable Aloha Summer Fest at Ali‘i Kula Lavender, dedicated to Ali‘i Chang, founder, farmer, and visionary who passed on April 13, 2011.

All of the shots are done in HDR. The only difference is in the rendering—realistic vs. artistic. It’s all in the eye of the beholder.

Ali‘i Kula Lavender, HDR, 8 exposures, realistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, realistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, artistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, artistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, realistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, realistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, artistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, artistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, realistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, realistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, artistic rendering.

Ali‘i Kula Lavender, HDR, 8 exposures, artistic rendering.

Kihei Sunset Two Ways

The clouds were all set up to flare nicely during sunset this evening, but it didn’t really take off the way I imagined. Still, it’s hard to beat a Maui sunset, and it gave me a chance to do some experimenting. Comments are welcome. Enjoy…

Sunset on a typical day in Kihei, Maui, Hawaii.

Traditional technique, 3-stop hard ND grad.

Kihei Sunset, HDR, 8 exposures, Photomatix 4.0, Lightroom 3.4.1.

HDR, no filters, 8 exposures, artistically rendered.

Haleakala Crater in HDR

From the summit of Haleakala, Maui, Hawaii. HDR, 8 exposures.

From the summit of Haleakala, Maui, Hawaii.

It is my tradition to go off on a solo shooting trek on my birthday, on land or underwater. I’ve been working really hard the last couple of weeks and woke up tired and uninspired this morning, so I was on the verge of breaking the tradition and just making it a lazy day around the house, but then I looked out of my kitchen window and saw the mountain with the gathering clouds, and decided to see if I could get above them for some HDR work. (I know, I know, I’ve been indulging my HDR kick recently… late bloomer, I guess.)

It goes against every instinct of a landscape photographer to shoot during the noon hour, except when you’re planning to shoot in HDR. You can get some amazing results. Here’s a surreal approach from the summit. If you hate it, blame it on the thin air at 10,000 feet. That’s my story (and my birthday) and I’m sticking to it.

Aloha!

Kihei Sunset in HDR

Just because I couldn’t resist, and I’d been doing HDR all weekend, I had to indulge myself. Here are a few renderings of last night’s sunset at different stages. All of these were done in Photomatix 4.0 and finished in Lightroom 3.4.1.

Which is your favorite?

HDR, 9exposures. Photomatix Pro 4.0, finished in Lightroom 3.4.1. Photography by Peter Liu (@PeterLiu47) PeterLiuPhoto.com

HDR, 7 exposures. Photomatix Pro 4.0, finished in Lightroom 3.4.1. Photography by Peter Liu (@PeterLiu47) PeterLiuPhoto.com

HDR, 7 exposures. Photomatix Pro 4.0, finished in Lightroom 3.4.1. Photography by Peter Liu (@PeterLiu47) PeterLiuPhoto.com

HDR, 7 exposures. Photomatix Pro 4.0, finished in Lightroom 3.4.1. Photography by Peter Liu (@PeterLiu47) PeterLiuPhoto.com

Lahaina in HDR

I was in Lahaina, Maui yesterday morning covering the 2011 Na Kamehameha Commemorative Pa‘u Parade & Ho‘olaule‘a. I arrived really early to make sure I could find parking before they closed down Front Street. As I was walking along the harbor toward Kamehameha ‘Iki Park, enjoying the early morning light, I decided to grab a few shots for some HDR work.

Lahaina, Maui, HDR, 14 exposures. Photomatix Pro 4.0, finished in Lightroom 3.4.1

Lahaina, Maui, HDR, 14 exposures. Photomatix Pro 4.0, finished in Lightroom 3.4.1

Pioneer Inn, Lahaina, Maui, HDR, 13 exposures. Photomatix Pro 4.0, finished in Lightroom 3.4.1

Pioneer Inn, Lahaina, Maui, HDR, 13 exposures. Photomatix Pro 4.0, finished in Lightroom 3.4.1

Rooftop Sunset from South Kihei

Sunset, Kihei, Maui, Hawaii.When my friends Kim and Craig invited me to their house for the Premiere Party celebrating Season Two of Self Made in Hawaii, in which our Social Media Users Group was featured, I couldn’t resist asking if I could come early to shoot the sunset from their roof. When they built the second story addition to their home, they included a spiral starway leading to their rooftop so they could enjoy their South Maui vistas from a higher elevation.

As always, I was hoping for a lightshow in the clouds, but there was too much moisture (as usual) and it didn’t happen. However, the softbox effect on the horizon did allow me to get great shots of the fireball that powers our world from 93 million miles away, and follow it down to the slopes of Lana‘i on the horizon.

After living on Maui for a few years, you do tend to take these sunsets for granted, but I try not to. There aren’t many places in the world that offer views like this.

Sunset, Kihei, Maui, Hawaii.

Sunset, Kihei, Maui, Hawaii.

Sunset, Kihei, Maui, Hawaii.

No matter what I tried with the earlier shots, I couldn’t get rid of the lens flares, so I decided to do some artistic renderings of the scene in HDR. This one consisted of six frames processed in Photomatix Pro 4.0, and finished in Lighroom 3.4.

Sunset, Kihei, Maui, Hawaii. HDR, 6 frames. Photomatix 4.0, finished in Lighroom 3.4.

A Simple Guide To Shooting in HDR

I happen to be doing some HDR work today, so I thought I’d put this post together while I’m working. My wife is a REALTOR® on Maui and I shot one of her listings in Kihei. Real estate photography is tricky. You usually have to choose between getting a good, well-lit shot of the interior or one of the scene outside through the windows. The former yields blown out windows, and the latter yields a shot of the interior in darkness.

It used to be that the only way to get both the interior and exterior in the same shot would be to meter for the outside and use elaborate lighting equipment to fill in the details inside. Now we have HDR. HDR stands for High Dynamic Range, and is a technique that allows you to capture the full range of light intensities within a scene, from bright to dark.

When we look at the scene, everything looks well exposed to us. This is because the human eye is capable of seeing about 20 f-stops of light, so we can perceive fine details in light and shadow very clearly. A DSLR is only capable of roughly half the number of f-stops, so in photography, we have to choose between capturing the highlights or the shadows. If you choose one, you sacrifice the other.

If done well, you can produce some nice effects, depending on whether you’re looking for silhouettes or a blown out look. But if you want to capture a balance of both, you have a challenge on your hands. There are techniques you can use to compensate somewhat. Shooting in the early mornings or late evenings when the light is soft is one. Or you can use an ND Grad if it’s appropriate for the scene. Or there’s always the old splice-pieces-of-differently-exposed-images-together-in-Photoshop trick.

Or there’s HDR. Essentially, you take several images, one with the scene metered properly, then a few overexposed and a few under, and let the HDR software blend the images together to give you a good composite of the darks and the lights. Photoshop has included HDR capability for a while now, and I’ve heard it’s improved greatly as of CS5, but for my money, Photomatix Pro from HDRsoft is still the best.

562 Papau Street, Kihei, Maui, Hawaii, Kathy Becklin R(S), http://kathybecklin.com

The example I have here is pretty extreme. Normally, I would take three or four shots—one metered correctly, then one or two above and below. In this case, I not only wanted to capture a good range between light and shadow, I wanted a very wide range, in case I felt like playing with artistic effects later.

For this scene, I took a total of 11 shots, varying one stop each. I basically kept stopping down until I didn’t see anymore “blinkies” in the LCD display.

Highlights exposed correctly, everything else in darkness.

Highlights exposed correctly, everything else in darkness.

Photomatix is great at aligning images by correcting for shifts or matching features, but I used a tripod for certainty.

 

As you can see, the shot with the front entrance exposed properly has blown highlights all over the place—the sky, reflections on the glass, etc. And in the shot where the glass, sky and trees are exposed properly, you can’t really see anything else in the image.

Photomatix Pro optionsPer my usual workflow, I start in Lightroom, select the shots and export them to Photomatix using their Photomatix export plugin. After I select the options, Photomatix does its thing and produces the blended image.

Blended image in Photomatix in need of tone mapping.

Blended image in Photomatix in need of tone mapping.

The resulting image actually looks pretty bland. Remember, all the shadows are exposed correctly, as are all of the highlights, so you don’t have any contrast, which is a vital component in a good photo. So, the next step is to do some tone mapping—essentially setting the values of light and dark so that you get a compelling image.

This can be done completely in Photomatix, but what I like to do is take it part way, then re-import it into Lightroom to finish it. I like to do this because I have better tonal and color control in Lightroom, and its noise and sharpening controls are also much better, in my opinion.

Realistic rendering of an HDR image.

Realistic rendering of an HDR image.

That’s pretty much all there is to it. I’m oversimplifying the process a bit, but this is the general idea. If you play with the various options, you’ll end up with a realistic rendering or an artistic one, whichever suits your purpose. Try it for yourself. Share a link to your work below so we can all enjoy it.

Artistic rendering of the same HDR image.

Artistic rendering of the same HDR image.

Aloha Chevy

I’m not really a car guy (just didn’t inherit the gene), but I go by this really cool old Chevy in my neighborhood during my morning run, and finally got around to grabbing a camera so I could capture it. Love that “Aloha” license plate. One of these days I should knock on the door and meet the folks who own it.

Aloha Chevy

HDR, 6 exposures, 2 stops each, tone mapped in Photomatix 3.0, finished in Lightroom 2.5.

Aloha Chevy

HDR, 5 exposures, 2 stops each, tone mapped in Photomatix 3.0, finished in Lightroom 2.5.

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